That's What I'm Talking About
By Keith McCready
The Inside Floater
Warm sunshine and cool ocean breezes, the thunderous crash of waves breaking
along the shoreline, chirping seagulls fighting for food, and the salty smell of
the Pacific-this can only be beautiful Southern California, the place where
I grew up. Bob Wallace, my foster father, owned a poolroom known as Hard Times
in Newport Beach, the surfing mecca of the world. Champion surfers would
come from far and wide to tackle "The Wedge," a mammoth wave that breaks in two
directions with a swell that has been known to rise as high as 30 feet. My
favorite pastime when I wasn't playing pool was fishing for shark and bonito at
the pier and watching the never-ending parade of brightly colored sailboats
escorted by convoys of whales and frolicking dolphins. And then, of course,
there were those bronzed California beauties.
I was in the prime of my young career and used to boldly wear a T-shirt
emblazoned with the words, "The World's Got the 8," an open invitation to
anybody. Unbeknownst to me, the legendary "Filipino Invasion" was about to
unfold, and I will never forget the first time I laid my eyes on the first
wave to hit the shore-Jose "Amang" Parica.
He drifted in the side door of Hard Times unnoticed and abruptly parked
himself on the rail. I checked him out in my peripheral vision as he
gingerly sipped on a hot cup of tea, and it wasn't long before we exchanged
eyeball contact. Small in stature, he didn't look like a pool player at
all, wearing those hard leather shoes and a designer polo shirt tucked neatly in
his pressed black khakis. So when he politely asked me for the break playing
9-ball, I had no fear and readily gave it to him, not realizing who or what he
was.
As the games progressed and I observed Jose's shot-making capabilities, I
sensed a shark in the water. He moved the balls with grace and a perfect touch,
and if he missed, I was staring at a safety or an impossible shot. It became
clear that I was in a trap when the fickle railbirds, seeing me wounded, began
to line up and bet against me. The final nail in my coffin was the inside
floater, a shot Jose makes effortlessly to this very day, and I am going to
share it with you.
This is a perfect offensive shot, but as shown in the diagram, the end result
can be a defensive tactic as well, and it comes up in all games. You want to
sink the object ball in the left corner pocket. The desired path is for the cue
ball to hit the front rail after making contact with the object ball. Use low
left-hand english, about 8 o'clock, so that the cue ball will float back and
come to rest against the back rail, resulting in a good safety in case you
miss.
Follow through and use medium speed when stroking the cue ball.
Don't grip the cue stick too tightly because it needs to be free flowing and
level as it glides through your bridge hand as well. The ball speed is the most
important characteristic of the inside floater. In order to acquaint yourself
with the proper technique, experiment by over cutting the ball first. If the
object ball hits the front rail, that means you are not cutting the ball enough.
If the object ball hits the side rail, adjust the amount of spin until you
obtain the necessary texture needed for the shot.
Practice by placing the cue ball at a shorter distance until you are able to
recognize the proper amount of ball speed and spin, which will help you to
determine a suitable comfort level.
A beginning surfer, believing he's indestructible, learns quickly to respect
the ocean; a champion surfer knows the importance of choosing the right wave at
the precise time, rather than simply challenging any wave that comes along.
Only a moment before Parica walked into my life, I considered myself
invincible, like the novice surfer. But when I faced him on the field
of green that day, there was something in his eyes that made me realize he could
look on heights beyond my gaze, a characteristic of true champions. People
say that he started the invasion, but I think they got it wrong. Parica
actually was the invasion.
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